The 105 Artworks of media Gold Leaf and containing the word nobuo sekine, gold leaf, post minimalism, 2000

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2/105
Tosa Mitsunobu - Bamboo in the Four SeasonsBamboo in the Four SeasonsTosa Mitsunobu

The traditional Chinese subject of bamboo is given a distinctly Japanese treatment in this rendition of the four seasons. Stands of mature bamboo, leafy young bamboo plants, and tapering bamboo shoots are loosely grouped across the surface of this pair of screens, with violets and shepherd’s purse c...

4/105
Kano Takanobu - Women’s KabukiWomen’s KabukiKano Takanobu

The focus of this composition is a young woman dressed as a gallant samurai, performing the Kabuki skit Chaya asobi, or “Teahouse Entertainments.” Her comic sidekick, the manservant Saruwaka (Young Monkey)—also played by a woman—holds a branch of maple leaves or flowers.In its earliest phase, Kabuki...

5/105
Michael Nicoll Yahgulanaas - Yelthadaas from the series Coppers from the HoodYelthadaas from the series Coppers from the HoodMichael Nicoll Yahgulanaas

Yahgulanaas named his ongoing series Coppers from the Hood for the shield-like totems, or coppers, that Haida chiefs traditionally exchanged during potlaches, communal feasts that formed the basis of the pre-colonial economy on the Northwest Pacific Coast and that are still held today. Many of the a...

 
6/105
Yuan Jiang - Herbaceous PeonyHerbaceous PeonyYuan Jiang

This peony fan shows the blending of literati and popular tastes in the period. Literati artists traditionally disdained a gold ground as vulgar, but Hu uses it to set off his image of the luscious peony, a flower with associations of wealth and seductive beauty.

 
7/105
Danish Unknown Goldsmith - Mishneh TorahMishneh TorahDanish Unknown Goldsmith

The Mishneh Torah is the magnum opus of Moses Maimonides, the renowned medieval philosopher. This remarkable text consolidates Jewish law into a systematic, comprehensive and accessible anthology, still consulted by rabbis and scholars today. This manuscript copy of the Mishneh Torah is one of the m...

The Metropolitan Museum of Art (New York, United States Of America)
 
10/105
Kano Sansetsu - Old PlumOld PlumKano Sansetsu

The massive black trunk of an ancient plum tree with bending, twisting branches spans nearly sixteen feet across four sliding panels. The reptilian old tree sprouts blossoms, which convey the atmosphere of a cold early spring morning and symbolize birth and renewal. These panels originally formed on...

 
11/105
Kaigetsudō Ando - Seated Courtesan with Her AttendantSeated Courtesan with Her AttendantKaigetsudō Ando

A courtesan leans against an armrest and engages her young attendant (kamuro) in conversation. Close inspection shows that the kamuro holds a small incense burner from which a thin line of smoke is rising, and the courtesan presents her right hand as though requesting the kamuro to hand it to her.Ka...

 
12/105
Simon Bening - The Seven Sorrows of the VirginThe Seven Sorrows of the VirginSimon Bening

In the center of the miniature, the Virgin sits on the ground with seven swords piercing her, each symbolizing one of the events related to Christ that brought her sorrow. The theme of the Seven Sorrows of the Virgin was meant to draw the viewer into Mary/

J. Paul Getty Museum (Los Angeles, United States)
14/105
Danish Unknown Goldsmith - Table of AffinityTable of AffinityDanish Unknown Goldsmith

The Table of Affinity serves as a pendant to the Table of Consanguinity in the section on matrimony in Gratian/

J. Paul Getty Museum (Los Angeles, United States)
 
15/105
Ogata Kōrin - Rough WavesRough WavesOgata Kōrin

Many artists and poets of the East and West alike have striven to capture the transitory and fleeting image of swelling waves. Kōrin’s rendition—one of Japan’s most striking representations of this amorphous, ungraspable form—has a strangely menacing feel, due no doubt to the long, tentacle-like fin...

16/105
Maio Motoko - Life-s Symphony (Kyoku)Life's Symphony (Kyoku)Maio Motoko

Across a brilliant gold-leaf background, the artist fashioned a wide undulating line from traditional Japanese paper (washi) soaked in ink and crushed-shell pigment (gofun) and then pressed into compact folds. The pair of screens is titled Kyoku, which in Japanese can mean “bend,” “curve,” “music,” ...

 
19/105
Yuan Jiang - LandscapeLandscapeYuan Jiang

Traditional methods of landscape painting are invoked by Hu in this fan. Mountain forms are built using a system of brush dabs, while forests are created by an assembly of ideogram trees. Dilute ink and pale colors soften the rigor of the traditional conception, producing work with an easy popular a...

 
20/105
Lu Kezheng - Landscape in the manner of Dong YuanLandscape in the manner of Dong YuanLu Kezheng

This evocative vignette is signed by a certain Lu Kezheng, an obscure artist who has gone unrecorded in histories of Chinese painting. Centering the composition on the lower half of the fan, Lu left the top shrouded in mist, creating a feeling of suspense by withholding a view into the far distance....

23/105
Danish Unknown Goldsmith - The Sixth Trumpet: The Angel at the EuphratesThe Sixth Trumpet: The Angel at the EuphratesDanish Unknown Goldsmith

As the sixth trumpet sounds in the Apocalypse, Saint John, seen in the right margin, hears a voice from the golden altar. The illuminator identified the voice as the Lord/

J. Paul Getty Museum (Los Angeles, United States)
 

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